On this page you will find music by some of the best of the punk and post punk bands. Most of the featured music is available to buy on CD. Just follow the link to amazon.co.uk .

The Sex Pistols debut LP and an essential part of any collection. This album contains all the Pistols early set and the singles Anarchy in the UK , God Save the Queen , Pretty Vacant and Holidays in the Sun. Never Mind the Bollocks was released in November 1977, and is really the summation of the Pistols career with the early vital songs such as 'Seventeen' ,'Problems' and 'No Feelings' in contrast to the later vacuous 'Bodies' and 'EMI'. The combination of Johnny Rotten's inflammatory lyrics and snarling delivery with Glenn Matlock's catchy sense of melody make this the definitive punk album. Typically, the title was subject to a court case and was not displayed on open view in many shops even after it was cleared of indecency.
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The first LP by the Clash, released in April 1977, is probably the most important release from the punk era. Unlike 'Never Mind The Bollocks' it was recorded at the peak of punk's creative power and captures the Clash at their early best. The genuine frustration and barely restrained anger are not diluted at all by the raw production leaving 14 tracks which stand up as well now as in 1977. Always described as the most political of the punk groups songs like 'Career Opportunities', and 'London's Burning' deal with the alienation and boredom of city life. The inspired choice of 'Police and Thieves', a Junior Murvin track shows the strong affinity for Reggae amongst the early scene .
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Read Mark Perry's review from Sniffin Glue #9

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Another band who featured in the Sex Pistols ill-fated 'Anarchy' tour, the Damned played chaotic, fast and loud. Described as music for your feet not your head, this album contains some of the most energetic music on the scene. Compare this to the overworked, overcomplicated efforts by so-called serious rock acts of the time and it is like a breath of fresh air; fun-filled ,adrenalin soaked mayhem. This album is notable also as one of the early independent releases on Stiff records, a key promoter of punk talent in 1976/77.
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This album by the Buzzcocks was never an official release by the band but contains their earliest material from 1976. Featuring the first line up with Howard Devoto on vocals, it was recorded on a shoestring but the sheer vitality and talent shines through. The Spiral Scratch EP was recorded at this session and remains the seminal punk record to this day. Devoto's lyrics are intelligent, impassioned and sparking with energy. No-one has better encapsulated the punk spirit than on the tracks contained on this album. Each song is a perfectly crafted 2 minute snapshot of life. 'Boredom', 'Breakdown', 'Lester Sands (a drop in the ocean); these songs are not about lightweight subjects . Highly recommended listening .
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This album contains not just 'The Image Has Cracked' LP but also the complete output of singles by Mark Perry's Alternative TV. Singularly well placed to comment as the former editor of Sniffin Glue fanzine, Perry's frustration at the faltering punk movement is summed up in 'How Much Longer'. The album itself contains interesting live footage of an Alternative TV gig together with power packed songs like 'Action Time Vision' and 'Good Times'. The most striking thing about this collection of songs is Perry's desire to talk about his experience of life with no punches pulled and this scrupulous honesty makes this a somewhat disturbing, though definitely rewarding listen. A south London band, the reggae influence is present in several songs contained on this worthwhile collection.
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Formed by singer Poly Styrene in January 1977, X-ray Spex were one of the bands propelled to fame from the Roxy club in Covent Garden, London. Combining frantic saxophone within the punk sound gave this band a distinctive sound and the perfect vehicle for Poly's well observed lyrics about a society obsessed with consumerism and image. Experimenting outside the formulaic punk sound produced the seminal 'Germfree Adolescents' single which gave its name to this album. X-ray Spex were politically aware and threw their weight behind the Anti-Nazi league in the late seventies. Again, this album contains the 'Germfree Adolescents' album and the singles,' The Day the World Turned Day-Glo' and the controversial 'Oh Bondage Up Yours' which was banned by the BBC. Having only a brief career, this album contains virtually all the recorded work of one of British punk's most original bands.
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No More Heroes was the second studio album from the Stranglers. Release later in 1977 a lot of the tracks were recorded on the earlier Rattus sessions but not used. It captures the Stranglers playing a tighter and more aggressive set than previously which won them a big following on the punk ( and college ) circuit. Again the band were not afraid to make their own music and won an audience to them rather than leap onto the late 1977 punk gravy train.
Depending how you see the Stranglers , there is plenty of evidence to support the view that they were mysogenistic cock rockers but also that they were capable of a tremendous depth of dark irony in their lyrics. This release also contains three bonus tracks which were single releases of 5 minutes and b-sides which never made it onto an album.
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This compilation of 100 tracks from 1976 to 1979 manages to contain a huge variety of talent (and lack of it) which was released on 45rpm singles. This was, if anything truly the medium of punk rock, bands produced small quantities of 7" singles and then split. On this compilation are not only well known tracks from big names like the Clash and the Pistols but also obscure rarities from the Leyton Buzzards, Rudi, the Table and many more. The tracks are accompanied by a very well presented booklet giving background and information on other releases available. A lot of the post punk stuff sounds dated and frankly wasn't so good at the time of its release. Despite this, many of the tracks on these 5 CD's are unobtainable elswhere. For a thorough grounding in the early punk scene look no further than this boxed set!

Sadly this is now discontinued but look out for a second hand copy (or mail me if you just want an odd track to listen to)
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Crossing the Red Sea with the Adverts was a much awaited release by the group who had come to promenance early in 1977 and charted with hit single Gary Gilmores Eyes . Initially the strongest tracks on the album were all released as singles and go to make up what can only be described as a work of genius. T.V.Smith's lyrics for Bored Teenagers and One Chord Wonders show the true energy of punk as a fresh force with endless possibilities while the later song Safety in Numbers captures the sense of disappointment as the music became more limited and formulaic.

On this particular rerelease of the album are a whole array of additional tracks including A and B sides of singles and some live ones which contain virtually everything the band recorded in their early days Tracklist

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Buy this record here!

If you are curious about the Fall and need a clue where to begin , then this is the one for you.
The Fall were another band created in the summer of 1976 after seeing the Sex Pistols play the Lesser Free Trade Hall in Manchester. Right from the start the Fall weren't afraid to stand out from the crowd and took punk as a springboard to explore the themes of day to day life with its alienation and boredom . On this edition are also included the two singles which shot them to indie stardom, How I Wrote Elastic Man and Totally Wired. If you want to know what Manchester was like at the turn of the 80's then its all here!
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Another slightly earlier album worth seeking out is Live at the Witch Trials which in this rerelease contains a second disc with some live stuff and early Peel session material

Another album from a band which took everything punk had to offer and took it to a new level. Joy Division again were in attendance at the first couple of Sex Pistols gigs in Manchester and inspired to form first Warsaw who became Joy Division. Playing their way through( often violent) nights at the Electric Circus, the Squat and Rafters, the group became associated with promoter Tony Wilson who ran the Factory club nights and later put out their work on the label of the same name.Live the group still retained a more rough punk sound but in the studio they worked with Martin Hannett, the legendary producer and created what can only be described as a truly brilliant piece of work.
This is a dark and haunting album made all the more poignant by singer Ian Curtis's suicide less than a year after its release. It deals in the currency of despair, alienation and is in many ways a very personal piece about inner city life at the end of the 70's

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